Monday



Funding for the new Seattle Central Library building, as well as other construction projects throughout the library system, was provided by a $196.4 million bond measure, called "Libraries for All," approved by Seattle voters on November 3, 1998. The project also received a $20 million donation from Bill Gates, of Microsoft.
Rem Koolhaas and Joshua Prince-Ramus of the Dutch firm Office for Metropolitan Architecture (OMA), working in conjunction with the Seattle firm LMN Architects, served as the building's principal architects. Ramus served as the partner in charge. Ironically, OMA was not one of the firms invited to compete for the project. Ramus, formerly a Seattle resident, found out from his mother one day in advance that the library board was inviting interested firms to attend a mandatory public meeting. He attended, flying in from, and OMA ended up winning the project.
Deborah Jacobs, Chief Librarian in the Seattle Public Library system, spearheaded the project from the library's perspective and served as the primary client voice, while Betty Jane Narver served as president of the Library Board.












The Seattle Central Library is the flagship library of the Seattle Public Library system. The 11-story (185 feet or 56 meters high) glass and steel building in downtown Seattle, Washington was opened to the public on Sunday, May 23, 2004. Rem Koolhaas was the principal architect. The 362,987 square foot (34,000 m²) public library can hold about 1.45 million books and other materials, features underground public parking for 143 vehicles, and includes over 400 computers open to the public. Over 2 million individuals visited the new library in its first year. It is the third Seattle Central Library building to be located on the same site at 1000 Fourth Avenue, the block bounded by Fourth and Fifth Avenues and Madison and Spring Streets. The library has a unique, striking appearance, consisting of several discrete "floating platforms" seemingly wrapped in a large steel net around glass skin. Architectural tours of the building began on June 5, 2006.






Week 7 & 8
Remment Koolhaas (born November 17, 1944 in Rotterdam) is a Dutch architect, architectural theorist, urbanist and "Professor in Practice of Architecture and Urban Design" at the Graduate School of Design at Harvard University, USA. Koolhaas first studied scriptwriting at the Dutch Film Academy, and was then a journalist for the Haagse Post before starting studies, in 1968, in architecture at the Architectural Association School of Architecture in London, followed, in 1972, by further studies at Cornell University in New York. Koolhaas is the principal of the Office for Metropolitan Architecture, or OMA, and of its research-oriented counterpart AMO, nowadays based in Rotterdam, The Netherlands. In 2005 he co-founded Volume Magazine together with Mark Wigley and Ole Bouman.
Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1980 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later joined by one of Koolhaas's students, Zaha Hadid - who would soon go on to achieve success in her own right. An early work which would mark their difference from the then dominant postmodern classicism of the late 1970s, was their contribution to the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, titled "Presence of the Past". Each architect had to design a stage-like "frontage" to a Potemkin-type internal street; and the OMA scheme was the only modernist scheme among them.
Other early critically-received (yet unbuilt) projects included the
Parc de la Villette, Paris (1982) and the residence for the President of Ireland (1981). The first large project by OMA to be built was the Kunsthal in Rotterdam (1992). These schemes would attempt to put into practice many of the findings Koolhaas made in his book Delirious New York (1978),[1] which was written while he was a visiting scholar at the Institute for Architecture and Urban Studies in New York, directed by Peter Eisenman.

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